This new year, we dare you to broaden your horizons and do something you might not normally do—namely, attend the Musicians in Ordinary’s presentation of French Baroque Cantatas and Sonatas. Hallie Fishel and John Edwards make up the duo who pay tribute to early music primarily through voice and lute. One of their featured guests, Irish flutist Emma Zoe Elkinson, is proof that the instrument isn’t just for band geeks. She’s performed with U2, at the Vatican, and plays everything from pop music to traditional Irish pieces. Now that doesn’t sound so bad, does it?
While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).
It’s not every day that a media tour opens with the injunction not to photograph “the sex blob,” but so began TIFF’s preview of “David Cronenberg: Evolution,” the organization’s first large-scale touring exhibition (for now, it’s stationed at the TIFF Bell Lightbox’s HSBC Gallery). It’s an exhaustive, stunning look at some of the wildest, most perverse creations of a pioneer of the body-horror genre—who also happens to be Canada’s most internationally renowned filmmaker.
Virginia Woolf once remarked that “on or about December 1910, human character changed.” Whether it actually did is debatable, but the curators of “The Great Upheaval: Masterpieces from the Guggenheim Collection 1910–1918” use that year to start their exhibition of works from a tumultuous decade of innovation in European fine art.
The rare retrospective to get a victory lap soon after its first run, TIFF’s recent spotlight on the eighteen acclaimed films from Japan’s much-admired animation studio gets a second lease on life with Spirited Away: The Films of Studio Ghibli. A major hit with families when it showed at TIFF Bell Lightbox last spring, the retrospective returns with some key modifications, including a couple of prized screenings of 1988’s Grave of the Fireflies, which was unavailable for the last round.
Moksha Yoga Downtown wants to help you usher in a peaceful and positive 2014 with their special New Year’s event. Join them for a hot yoga session set to sitar music, midnight meditation, and tasty tea and snacks by Moira at Feel Good Guru.
You might expect a show called We Can Be Heroes to be a send-up of superhero films, but Second City’s new mainstage production is actually a celebration of minor, everyday acts of heroism ranging from giving advice to a bullied child to managing not to be a jackass at your friend’s wedding.