Campbell House Museum is artfully decorated for A Room Of One’s Own‘s nightly pre-show reception. Always elegant, the various rooms have cozy fires going, and books and letters are arranged for audience perusal. (We later heard many of these materials were sourced specifically for the show by star and producer Naomi Wright, who exhaustively researched her role as Virigina Woolf.)
As part of the Toronto Public Library’s Live in the Stacks series, electro-pop outfit Light Fires will be playing a free show in the Sanderson library, after hours. Admission is free, and all ages.
Toronto theatre audiences have seen a number of adaptations of Strindberg’s Miss Julie in the past few years. The original now seems dated, but Miss Julie: She’Mah, a Canadian-targeted adaptation by playwright Tara Beagan, ratcheted up the tension by giving Miss Julie residential-school-educated servants. Canadian Stage’s somewhat less effective Miss Julie: Freedom Summer used American race politics. But British playwright Patrick Marber’s 2003 adaptation, After Miss Julie, zeroes in on sexual politics and baseline class separations, all against the backdrop of a British country home at the close of World War II. Red One Theatre’s Canadian premiere plays up the danger and slow-burning tension expertly, with three experienced cast members: Claire Armstrong in the title role, and Christopher Morris and Amy Keating as Julie’s father’s servants.