The Ryerson Image Centre celebrates its first anniversary with the opening of a provocative exhibit centered around the culture of resistance in contemporary indigenous art. Ghost Dance: Activism. Resistance. Art. explores the role of Aboriginal artist as activist, and features works from Sonny Assu, Vernon Ah Kee, Scott Benesiinaabandan, Dana Claxton, Cheryl L’Hirondelle, Alan Michelson, Theo Sims, Skawennati, and Jackson 2bears. The showcase will be open to the public until December 15.
For Lauryn Kronick and Jacqie Lucas, their upcoming benefit concert, A Luta Continua, isn’t just a way to raise money for LGBT safe-house programs in Uganda—it’s also a way for Toronto’s queer community to show solidarity with one half a world away. The proceeds will benefit Gender Equality and Health Organization Uganda, a group that provides safe houses for gay Ugandans who have been driven out of their communities.
LGBT people in Uganda face extreme discrimination. Homosexuality is punishable by life in jail, and violence is a constant threat.
“GEHO provides a place for about 180 LGBT Ugandans who’ve been kicked out of their homes and communities for their sexual orientation,” says Kronick. “Lately, they’ve been getting requests for more and more help. They run three safe houses, and they’re going to be holding pride celebrations later on this month.”
FeverGraph Theatre Company wants you to get mad (and perhaps go mad) over their new stage production. Look Back in Anger focuses on four people, and the anger that cripples each of them. Rather being a study of hot tempers, the play examines our common desire to feel something deeper than what reality delivers, our sense of futility, and the anger that ensues. Directed by Anita La Selva, the piece was co-conceived by its performers: Eli Ham, Adriano Sobretodo Jr., Tosha Doiron, and Zoë Sweet.
Spend your Wednesday night in one of our city’s best live rooms, with one of the most talented singer-songwriters you’ve probably never heard of. A dapper young gentleman, Rehan Dalal oozes charm and sensuality, channelling Stevie Wonder with his upbeat funk, soul, and pop music. Come early to check out Liz Longley, Jesse Gold, and Ken Yates, who will be celebrating the release of his new album.
Transgender author and experimental country-electronic artist Rae Spoon has a big voice and a story to tell. Spoon’s new album—and soundtrack to a documentary of the same name—My Prairie Home explores the idea of home, and what happens when that place becomes somewhere you can no longer go. The album will be debuted in back-to-back shows at the Gladstone, with Laurie Torres on drums.
The name “Mesopotamia” derives from a Greek term meaning “land between the rivers.” The Royal Ontario Museum’s latest major exhibit, which opens on June 22, takes this literally, as visitors flow between painted representations of the Tigris and Euphrates rivers on the floor.
Presented by the British Museum and rounded out with pieces from institutions in Chicago, Detroit, and Philadelphia, “Mesopotamia: Inventing Our World” covers 3,000 years of human development in the cradle of urban civilization. Most of the 170 artifacts on display have never been shown in Canada.
If Fringe and SummerWorks aren’t enough to satisfy your summer theatre cravings, the world-renowned Stratford Festival is now only a bus ride away from downtown Toronto, thanks to the new Stratford Direct bus route (“the best thing [the Festival] has done in years” according to one usher at the Avon Theatre). Artistic Director Antoni Cimolino has put together a season to please tastes from the traditional to the extravagant. Here’s what we think about five of Stratford’s current productions.
Flight: A Thrilling History of an Idea is a new exhibition from the Toronto Reference Library that gathers a number of rare items that explore the theme of the possible and the impossible. Some of the highlights on display are La vingtième siècle: la vie électrique (a rare French book that shows how scientific discoveries would have affected people in 1955), Tame (a sci-fi pulp magazine), and Worldly Wisdom (watercolour that depicts a Leonardo da Vinci-like figure creating a winged flying machine). You’ll find the exhibition in the library’s TD Gallery.
BEARS IN THE STREETS *the world as I’ve seen it is a solo art exhibition by Jeff Blackburn featuring works that involve bears, which act as guides through various cityscapes (see above for example). Visitors will have the chance to see different public spaces from around the world (with bears!). The opening reception will be held on September 1st and will start at 7 p.m.
There are plenty of weeks that involve the consumption of beer in Toronto, but there’s only one true Toronto Beer Week. As craft beer’s popularity continues to grow along with the roster of brewers in this city, Toronto Beer Week is a good opportunity to take the pulse of a thriving scene—or, just to knock back a few good brews and have some fun. Whichever you prefer. Here are a few events to look out for.
Ai Weiwei is a 56-year-old artist confined to his home in Beijing for creating work critical of the Chinese government and Chinese culture. There are video cameras outside his house, his phone lines are tapped, his blog was deleted, his Shanghai studio was destroyed in 2010 by authorities, and his passport was confiscated in 2011. To this day, he’s unable to leave his country. Even so, Ai Weiwei has had a large presence in Toronto over the past few months.
This past June, he did a performance piece with artist Laurie Anderson during the Luminato Festival, using Skype. His Zodiac Heads have been installed, temporarily, in the reflecting pool in front of City Hall. At this year’s Nuit Blanche, a large-scale version of his sculpture of bicycles, Forever, will take over Nathan Phillips Square. And beginning August 17, the Art Gallery of Ontario is displaying “Ai Weiwei: According to What?”, a retrospective of the work he produced before and after the Chinese government’s crackdown on his activities helped him find new international acclaim.
Bruce Hunter writes and stars in Dine Her, a zombie comedy set in the authentic George Street Diner. This undead spin on dinner theatre features a special menu by Ash Farrelly, music by Sean Fisher, and zombie dancers from One Immigrant Productions.
Many people now routinely consume television series in marathon benders, blowing through DVDs or Netflix downloads in a few evenings or a weekend. It’s that sort of experience—but live, of course—that awaits audiences at Soulpepper’s production of Tony Kushner’s Angels in America, which offers over six hours of impeccably staged and performed theatre either in two long evenings or over the course of one full day, with multiple intermissions and a meal break.
You might expect a show called We Can Be Heroes to be a send-up of superhero films, but Second City’s new mainstage production is actually a celebration of minor, everyday acts of heroism ranging from giving advice to a bullied child to managing not to be a jackass at your friend’s wedding.
Folk-punk rocker Eamon McGrath is making the best of summer with a residency at The Dakota Tavern. He’s curated a plethora of Canadian bands to take the stage with him every week, ranging anywhere from country to brash rock and roll. Donovan Woods kicks off the series on August 14, followed by acts like Nick Everett (August 28), Camp Radio (September 18), and many more.
It’s time to go back to school—with Bad Dog Theatre Company and its new improv serial, Wayward. Join the staff and students of the Our Lady of St. Gordon of Levitt all-girls Catholic school for a darkly comedic look at religion, rebellion, and the complicated web of relationships between women. Comedians Aurora Browne, Jen Goodhue, Carolyn Taylor, Christy Bruce, Ashley Comeau, Ann Pornel, Jocelyn Geddie, and Kirsten Rasmussen will make up the powerful female cast, and Laura Barrett (Sheezer, The Hidden Cameras) will provide the music.