The word “occult” typically conjures images of pentagrams, candles, and conspicuous Goth characters; but it hasn’t always been that way. Professor Gillian McCann reveals a different view of Victorian/Edwardian era Toronto and the occult in her presentation, An Occult History of Toronto. Using research from her book Vanguard of the New Age: The Toronto Theosophical Society 1891-1945, Dr. McCann argues that members of the occult movement were involved in a broad range of issues such as labour debates, women’s rights, socialism, and alternative religion.
Catch a live show at Toronto’s ultimate outdoor venue: the Casa Loma terrace. Enjoy a drink, barbeque, and a spectacular view of the city while taking in the sounds of Jesse Pitcher. Let him take you on a nostalgic journey with classics from ’90s rock to current pop, arranged to fit his unique acoustic style.
Learn about the history of the conceptual literature movement straight from two of its founders: experimental poets Kenneth Goldsmith and Christian Bök. Their discussion will be followed by a reading of various conceptual texts.
The 2013 Toronto Jazz Festival descends on the city on June 21 with a huge “free for all” event. That means all of Friday, June 21′s programming at every Jazz Festival venue is, yes, completely free of charge. There will be concerts from local favourites Molly Johnson and Mary Margaret O’Hara, plus a show by Smokey Robinson and Martha Reeves, who will be launching the fest from its epicentre, Nathan Phillips Square.
Here’s a rundown of some of the shows worth checking out on Friday—and during the rest of the festival, when you’ll actually have to pay.
While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).
While most festivals are geared towards some specific audience—like the Inside Out Festival or the Jewish Film Festival, for instance—where ReelHeart International Film Festival separates itself from the pack is by welcoming all submissions, as long as they have what the organizers deem to be “real heart.”
There are a lot of chefs in the kitchen for the Canadian premiere of Sarah Ruhl’s Passion Play, a triptych set in three time periods that tells the stories of amateur actors (played by real actors) involved in staging performances of the story of Christ. Three different Toronto independent theatre companies, all with reputations for innovative staging and creation in their past work, each tackle one of the three acts. Ordinarily, such a complicated arrangement would be to a show’s detriment, but not in this case. While you need to be prepared for a marathon of theatre (the show runs four hours, incluing two intermissions), you’re certainly going to get your money’s worth.
Cats is a challenging musical to stage for a number of reasons. The narrative is thin and strange; the lyrics are drawn primarily from T.S. Eliot’s poetry collection Old Possum’s Book Of Practical Cats, with more borrowed from some other Eliot poems, “Rhapsody on a Windy Night” (which original director Trevor Nunn adapted into the song “Memory”) and “Moments of Happiness.” The result is not so much a story as ideas and character sketches. Old Deuteronomy, patriarch of the Jellicle Cats, calls the creatures together once a year to celebrate, and for one cat to be chosen to ascend to the Heaviside Layer (essentially, to die and be reincarnated). Most of the songs detail the adventures and virtues of a single cat in particular, essentially serving as that cat’s audition for the honour of ascension.