When’s the last time you attempted to reconceptualize the dimensions of space? If it’s been a while, you might consider checking out a new exhibition called I Thought There Were Limits, which aims to do just that. This particular exhibit is unique in that the artwork forms a relationship with the site itself (in this case, the Justina M. Barnicke Gallery). The work on display is brought to you by curator Julia Abraham (as part of the MVS degree in Curatorial Studies at the University of Toronto). The artists include Karen Henderson, Yam Lau, Gordon Lebredt, Kika Thorne, and Josh Thorpe.
For someone well known for her expressive and awwww-inducing drawings of pugs, U.K.-based illustrator Gemma Correll came to her love of the animal late. “I was always a cat person growing up, so I think the pug was like my gateway dog,” she said at Magic Pony, an art and design shop on Queen West that is currently hosting The Mr. Pickles Fan Club, the first Canadian exhibition of her work.
Spring in Toronto is marked by an influx of bikes on the streets, people returning to our parks, and, of course, the Hot Docs festival.
While the weather has so far not fully cooperated with the first two of those activities, rain and cold weather aren’t a hindrance to catching some world-class documentaries. The festival turns 20 this year, but a quarter-life crisis is nowhere in sight. The largest non-fiction film shindig in North America continues to impress, with 205 documentaries screening over 10 days, including 44 world premieres, and films from 43 countries. It’s a lot, but we’re here to help!
Sam Shepard’s plays are famously all about man as a caged animal, prowling and brooding around his enclosure (usually a North American domicile), eventually tearing it apart like an untrained puppy suffering from separation anxiety. He is a man’s man’s writer, the lone wolf in the wilderness that so many young males fantasize about—even, it often seems, Shepard himself.
As his most famous work, one of Shepard’s Family Trilogy, True West is a great example: two brothers, Hollywood screenwriter Austin (Mike Ross) and the petty-thieving vagabond Lee (Stuart Hughes), somehow end up house-sitting for their mother while she’s on vacation in Alaska (though only Austin was asked to do so). It’s clear in the script that both men make solo trips outside the walls of their mother’s suburban home, but we never see them apart from each other. That’s because Lee and Austin are two halves of the same man. In fact, it’s common for the two main actors to alternate the roles throughout a run of the show.
The Toronto Comedy Brawl is in the middle of a growth spurt. Despite humble beginnings, Ian Atlas’ amateur competition has grown from 64 participants to, this year, a few hundred.
A fragile young woman obsessed with an old mechanized box containing an ancient (and possibly deadly) artifact calls upon a clairvoyant, a paranormal investigator, and a parapsychologist to assist in unlocking its secrets. No, it’s not a new AMC series, or an upcoming summer blockbuster—it’s Visitations, the new immersive-theatre experience by The Mission Business, creator of last year’s epic bio-horror theatrical extravaganza, Zed.TO.
As with Zed.TO, the audience is very much at the heart of the action in Visitations, exploring rooms, decoding messages, solving puzzles, and trying to prevent a catastrophe—or perhaps being used to bring one about. The more you bring to the experience, the more fun you’ll have in return.