Tired of the same old top-40 hits? The ISROCK Festival offers something different from what you may be used to with a celebration of Israel’s 65th Independence Day. Featuring superstar performers Hadag Nahash (an Israeli hip-hop ensemble), Mashina, and Yael Deckelbaum. There will also be authentic cuisine. Need we say more?
When’s the last time you attempted to reconceptualize the dimensions of space? If it’s been a while, you might consider checking out a new exhibition called I Thought There Were Limits, which aims to do just that. This particular exhibit is unique in that the artwork forms a relationship with the site itself (in this case, the Justina M. Barnicke Gallery). The work on display is brought to you by curator Julia Abraham (as part of the MVS degree in Curatorial Studies at the University of Toronto). The artists include Karen Henderson, Yam Lau, Gordon Lebredt, Kika Thorne, and Josh Thorpe.
For someone well known for her expressive and awwww-inducing drawings of pugs, U.K.-based illustrator Gemma Correll came to her love of the animal late. “I was always a cat person growing up, so I think the pug was like my gateway dog,” she said at Magic Pony, an art and design shop on Queen West that is currently hosting The Mr. Pickles Fan Club, the first Canadian exhibition of her work.
Spring in Toronto is marked by an influx of bikes on the streets, people returning to our parks, and, of course, the Hot Docs festival.
While the weather has so far not fully cooperated with the first two of those activities, rain and cold weather aren’t a hindrance to catching some world-class documentaries. The festival turns 20 this year, but a quarter-life crisis is nowhere in sight. The largest non-fiction film shindig in North America continues to impress, with 205 documentaries screening over 10 days, including 44 world premieres, and films from 43 countries. It’s a lot, but we’re here to help!
While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).
There are few playwrights whose names can double as adjectives (think “Shakespearean,” or “Beckettian”). But Race, now on at Canadian Stage, makes us want to coin a new one of those words. That’s because of the opening scene, where a black lawyer named Henry Brown addresses a white man with the line “You want to tell me about Black folks?” while leaning back in his office chair at the end of a long boardroom table. It’s distinctly Mamettian.
The American playwright David Mamet is known as much for his portrayal of fast-talking, morally ambiguous businessmen as he is for “Mamet speak,” his unique style of verbose, curse-filled, overlapping dialogue or long-winded speeches. His 2010 script Race is no different—in fact, it might be his most Mamettian to date. It certainly doesn’t beat around the bush when it comes to its subject matter (as the title suggests). Discourse surrounding race, privilege, language, and cultural history consumes the entire play.
David Yee examines life’s interconnectivity in Carried Away on the Crest of a Wave. The play follows an escort in Thailand, a housewife in Utah, and a Catholic priest in India, and how their lives are simultaneously brought together and torn apart by the 2004 Indian Ocean tsunami.
Real-life mother and son, Asha and Ravi Jain, share the stage to tell their true, amusing story of cultural and generational clash in A Brimful of Asha. While on a trip to India, Ravi’s parents decide it’s time to introduce him to potential brides, despite his lack of desire to get married.
Edward Roy and Gavin Crawford star as two 50-something spinster sisters in the gender bending A Few Brittle Leaves. Residing in a suburb of London, Viola and Penelope are faced with the inevitability of aging and the question of whether to abandon their search for love. That is, until the new vicar comes to town and turns their world upside down.
Falsettos, a groundbreaking and Tony Award–winning musical, comes to town for a short run, presented by The Acting Up Stage Company. The story takes us to New York City in 1979, where the Sexual Revolution is hot, AIDS is on the rise, and Marvin, a husband and father, has decided to leave his family for a man. Directed by Robert McQueen and starring Darrin Baker, Sara-Jeanne Hosie, Sarah Gibbons, Michael Levinson, Eric Morin, Stephen Patterson, and Glynis Ranney.
If there’s one thing that’s particularly impressive about Second City’s new mainstage show, The Meme-ing of Life, it’s how well balanced it is.
As the title implies, Meme-ing is nominally a show about the internet, and certainly there is a fair bit of internet-centric humour. (One sketch, about a boy who falls into a YouTube-induced coma that can only be cured by reading, is particularly on point.) That said, it isn’t just a series of jokes about cat videos. Instead, it’s a well-thought-out show that manages to offer something for pretty much everyone, without stretching itself too thin.
Here’s your chance to a) check out a free film and b) test your knowledge as a film buff. The Shepard Show is a film screening series that’ll be showing a new flick each week up until the opening of The Playwright Project festival in May. On the agenda are Steel Magnolias (April 7), Hamlet (April 14), Swordfish (April 21), and The Notebook (April 28). Be prepared for team trivia as well with a chance to win film- and theatre-related prizes.
A fragile young woman obsessed with an old mechanized box containing an ancient (and possibly deadly) artifact calls upon a clairvoyant, a paranormal investigator, and a parapsychologist to assist in unlocking its secrets. No, it’s not a new AMC series, or an upcoming summer blockbuster—it’s Visitations, the new immersive-theatre experience by The Mission Business, creator of last year’s epic bio-horror theatrical extravaganza, Zed.TO.
As with Zed.TO, the audience is very much at the heart of the action in Visitations, exploring rooms, decoding messages, solving puzzles, and trying to prevent a catastrophe—or perhaps being used to bring one about. The more you bring to the experience, the more fun you’ll have in return.