This week, some of the best Brazilian dancers from Canada, the U.S., and Brazil descend on Toronto to heat things up (are you listening, weather?) for the 3rd annual Brazilian Beat Dance Congress. Take part in a variety of workshops and seminars geared to all skill levels, or just sit back and enjoy performances by the pros.
Enjoy an evening of local sustainable foods, craft beer, and live jazz music for a good cause with The Brewer’s Plate. Dishes from chefs Mark Cutrara (Cowbell), Brook Kavanagh (La Palette), John Robertson (The Big Carrot), Karen Vaz (Rebel House), and others will be paired with beer from local craft breweries. All proceeds go to Not Far From The Tree, a group that harvests fruit from neighbourhood trees and shares it between homeowners and food banks.
Shannon Graham is a quirky, depressive, 20-something musician. She composes songs like diary entries: full of fear, humour, and alienation. Tonight she’s celebrating the release of her debut album. She’ll be joined on stage by The Storytellers, her nine-piece chamber ensemble. Come out for a fun night of contemporary jazz with pop accessibility (and get a copy of the album with the price of admission).
When’s the last time you attempted to reconceptualize the dimensions of space? If it’s been a while, you might consider checking out a new exhibition called I Thought There Were Limits, which aims to do just that. This particular exhibit is unique in that the artwork forms a relationship with the site itself (in this case, the Justina M. Barnicke Gallery). The work on display is brought to you by curator Julia Abraham (as part of the MVS degree in Curatorial Studies at the University of Toronto). The artists include Karen Henderson, Yam Lau, Gordon Lebredt, Kika Thorne, and Josh Thorpe.
Toronto is a great city for film buffs, and thanks to TIFF Kids International Film Festival, that includes the munchkins, too. The annual festival is about to kick off for the 16th time, and this year boasts a diverse lineup of programming for all ages, the premiere of Canada’s first 3D animated feature film, and a new partnership with Sesame Workshop.
Now in its 21st year, the Toronto Jewish Film Festival remains as committed as ever to projecting every facet of the Jewish identity. This year’s programme consists of an eclectic mix of films in a multitude of genres and formats, from silent to animated. The documentaries alone cover a huge number of subjects, ranging from Neil Diamond, to Serge Gainsbourg, to Roman Polanski, and even to the history of the popular Jewish song “Hava Nagila.”
The festival opens on Thursday with a screening of the provocative Cowjews and Indians, in which filmmaker Marc Halberstadt attempts to “cut out the middle man” by enlisting Native Americans to take back his ancestors’ land in Germany. Here are a few other films worth seeking out during the festival’s run.
Since its debut in 1987, Images has had a special place on Toronto’s springtime film festival slate. Though the upcoming Hot Docs is bigger, Images’ selection of experimental and independent media art often feels purer. It’s a festival that invites audiences to consider the basic elements that make moving image-based arts like the cinema so resonant.
Sam Shepard’s plays are famously all about man as a caged animal, prowling and brooding around his enclosure (usually a North American domicile), eventually tearing it apart like an untrained puppy suffering from separation anxiety. He is a man’s man’s writer, the lone wolf in the wilderness that so many young males fantasize about—even, it often seems, Shepard himself.
As his most famous work, one of Shepard’s Family Trilogy, True West is a great example: two brothers, Hollywood screenwriter Austin (Mike Ross) and the petty-thieving vagabond Lee (Stuart Hughes), somehow end up house-sitting for their mother while she’s on vacation in Alaska (though only Austin was asked to do so). It’s clear in the script that both men make solo trips outside the walls of their mother’s suburban home, but we never see them apart from each other. That’s because Lee and Austin are two halves of the same man. In fact, it’s common for the two main actors to alternate the roles throughout a run of the show.
In 1897, Austrian playwright Arthur Schnitzler wrote a play so scandalous that at first he only shared it among his friends. It wasn’t publicly staged until 1920 and, unsurprisingly, it caused an uproar. The ruffled feathers had to do with La Ronde‘s frank discussion of sexual relationships—in particular, those between members of different social classes. But while the acts themselves were originally left up to the audience’s imagination, Soulpepper Theatre’s current, modernized adaptation goes all the way with its sex scenes.
If there’s one thing that’s particularly impressive about Second City’s new mainstage show, The Meme-ing of Life, it’s how well balanced it is.
As the title implies, Meme-ing is nominally a show about the internet, and certainly there is a fair bit of internet-centric humour. (One sketch, about a boy who falls into a YouTube-induced coma that can only be cured by reading, is particularly on point.) That said, it isn’t just a series of jokes about cat videos. Instead, it’s a well-thought-out show that manages to offer something for pretty much everyone, without stretching itself too thin.
The Toronto Comedy Brawl is in the middle of a growth spurt. Despite humble beginnings, Ian Atlas’ amateur competition has grown from 64 participants to, this year, a few hundred.
David Yee examines life’s interconnectivity in Carried Away on the Crest of a Wave. The play follows an escort in Thailand, a housewife in Utah, and a Catholic priest in India, and how their lives are simultaneously brought together and torn apart by the 2004 Indian Ocean tsunami.
Real-life mother and son, Asha and Ravi Jain, share the stage to tell their true, amusing story of cultural and generational clash in A Brimful of Asha. While on a trip to India, Ravi’s parents decide it’s time to introduce him to potential brides, despite his lack of desire to get married.
There are few playwrights whose names can double as adjectives (think “Shakespearean,” or “Beckettian”). But Race, now on at Canadian Stage, makes us want to coin a new one of those words. That’s because of the opening scene, where a black lawyer named Henry Brown addresses a white man with the line “You want to tell me about Black folks?” while leaning back in his office chair at the end of a long boardroom table. It’s distinctly Mamettian.
The American playwright David Mamet is known as much for his portrayal of fast-talking, morally ambiguous businessmen as he is for “Mamet speak,” his unique style of verbose, curse-filled, overlapping dialogue or long-winded speeches. His 2010 script Race is no different—in fact, it might be his most Mamettian to date. It certainly doesn’t beat around the bush when it comes to its subject matter (as the title suggests). Discourse surrounding race, privilege, language, and cultural history consumes the entire play.