When’s the last time you attempted to reconceptualize the dimensions of space? If it’s been a while, you might consider checking out a new exhibition called I Thought There Were Limits, which aims to do just that. This particular exhibit is unique in that the artwork forms a relationship with the site itself (in this case, the Justina M. Barnicke Gallery). The work on display is brought to you by curator Julia Abraham (as part of the MVS degree in Curatorial Studies at the University of Toronto). The artists include Karen Henderson, Yam Lau, Gordon Lebredt, Kika Thorne, and Josh Thorpe.
Who here remembers doing public speaking in elementary or high school? The VOICES 2013 Speech Competition invites you to take a trip down memory lane by watching students go head-to-head during an intercollegiate event. Some of the judges include Jeff Douglas from CBC Radio and Bruce Hunt, founder of Toronto Speakers Academy.
Rhyme Reason or Otherwise is a play about Debra, whose pregnancy forces her to reexamine her love life, her religion, and her identity. It’s written by Rachel Ganz, directed by Jeremy Hutton, and performed by the Hart House Players.
If you’re looking to expand your cultural knowledge of Latin America, look no further than the aluCine Festival. This showcase of all things Latin American features a wide variety of events, including film screenings, art installations, and workshops.
Tonight (March 19), the second-annual Sound Image Music Photography Contest and Exhibition kicks off with a party. Judges Stephen Carlick (Exclaim! photo editor), Lucia Graca (creative director of Analogue Gallery), music photographer Barrie Wentzell, and Broken Social Scene’s Brendan Canning will start the evening by announcing the contest’s winner. The two-week-long exhibition features work from Courtney Lee Yip, Brian Patterson, Jess Baumung, Kevin Calixte, Roger Cullman, Vanessa Heins, and more.
Soup Can Theatre presents a short-run double bill of two classic works that were both ahead of their respective times. Samuel Barber’s contemporary opera A Hand of Bridge focuses on themes of jealousy, unrequited love, marital infidelity, and bisexuality. Sartre’s No Exit finds three strangers in Hell, faced not with eternal torture, but with the pain each others’ words, thoughts, and actions inflict. A Hand of Bridge will be backed by a live 14-piece orchestra.
This listing originally said, incorrectly, that both No Exit and A Hand of Bridge will be accompanied by an orchestra. In fact, only A Hand of Bridge has that distinction.
fu-GEN Theatre Company presents the Canadian premiere of Lauren Yee’s cheeky and insightful play, Ching Chong Chinaman. The ultra-assimilated Wong family don’t quite fit the Asian-American stereotype: teenaged Upton ignores chores and homework to play video games, and his sister Desi’s math scores are less than stellar. Upton’s solution to both problems? Hire an Asian indentured servant with an American dream. Starring Zoe Doyle, Brenda Kamino, Oliver Koomsatira, Richard Lee, Jane Luk, and John Ng.
The Whipping Man is a 2011 John Gassner New Play Award–winning play that’s set during Passover in 1865. The show tells the tale of a confederate officer who has returned home after the Civil War to find his family missing, but two former slaves remaining. While waiting for the family’s return, the concepts of master and slave, and those of slavery and war, are explored. Directed by Philip Akin and starring Sterling Jarvis, Brett Donahue, and Thomas Olajide.
If there’s one thing that’s particularly impressive about Second City’s new mainstage show, The Meme-ing of Life, it’s how well balanced it is.
As the title implies, Meme-ing is nominally a show about the internet, and certainly there is a fair bit of internet-centric humour. (One sketch, about a boy who falls into a YouTube-induced coma that can only be cured by reading, is particularly on point.) That said, it isn’t just a series of jokes about cat videos. Instead, it’s a well-thought-out show that manages to offer something for pretty much everyone, without stretching itself too thin.
It’s hardly news nowadays when an actor disrobes onstage, giving an audience a glimpse at what’s underneath a costume. It’s another thing entirely when the theatre itself strips down to its bare bones.
For Canadian Stage’s production of THIS, by Melissa James Gibson, a Canadian playwright gaining popularity in New York City, artistic director (and director of the play) Matthew Jocelyn and set designer Astrid Janson did just that to the historic Berkeley Street Theatre in Corktown.
The Toronto Comedy Brawl is in the middle of a growth spurt. Despite humble beginnings, Ian Atlas’ amateur competition has grown from 64 participants to, this year, a few hundred.
Sorry Twi-hards, this has nothing to do with vampires. Fresh Blood celebrates the work of emerging Canadian choreographers from a number of dance backgrounds. Each choreographer has five minutes to showcase their work. Featuring Meredith Andersen, Daina Ashbee, Rhonda Baker, Sarain Carson-Fox, Emilio Colallio, Justin De Bernardi, Michelle Fox, Kurtis Herd, Anali Reizvikh, Leslie Glen, Jacob Niedzwiecki, Jillian Peever, Alysa Pires, Amanda Pye, Rhanda Jones, Anjelica Scannura, Elke Schroeder, and Colleen Snell.