Shakespeare’s Ophelia and Desdemona find new life in Danya Buonastella, Dean Gilmour, Nina Gilmour, and Michele Smith’s Death Married My Daughter. In this satire, these women—resurrected from the swamps of death—take great pleasure in shaking up Man’s society while exposing their murderers and abusers.
Every year, Playwright Project brings theatre lovers together to celebrate one deserving writer. This year, Caryl Churchill’s works will get the spotlight treatment for two weeks at The Downstage. Vinegar Tom, A Number, Drunk Enough to Say I Love You, and Three More Sleepless Nights will each be showcased several times throughout the festival.
After a long, cold winter, Toronto is coming alive with The Sound of Music! This Rodgers and Hammerstein classic will brighten the Randolph Theatre stage for four weeks with some of the best-known and loved musical pieces in theatre history. Set against the darkness of Nazi-occupied Austria, the story centres around Maria—an aspiring nun—and the von Trapp family she learns to love.
It’s 1977, and a group of friends in England are gathering for a soirée. A pretty standard concept, that’s for sure, but Mike Leigh’s Abigail’s Party takes things to another level with a playful romp through the lives of these suburban socialites. Witness the hilarity and awkwardness as the hostess from hell metaphorically tears her guests to pieces.
Zack and Abby are the couple that others envy—the ones who seem to have it all. But secrets hide behind the beautiful home, the loving marriage, and the promising careers. Company Theatre’s Belleville—produced in association with Canadian Stage—explores the darkness that’s revealed in this seemingly perfect relationship after Abby finds her husband at home one day when he’s supposed to be at work.
We’ll bet you’ve never had a dinner party quite as interesting as this one. Mark Leith invites you to sit down with the founder of political spin, Edward Bernays; the inventor of propaganda, Dr. Joseph Goebbels; and the spearhead of the war on terror, Karl Rove—in the Act 2 Studio Works production of Dinner With Goebbels.
Despite its provocative title, there’s actually very little that’s controversial about Mike Bartlett’s Cock, making its Canadian premiere at the Theatre Centre. Its subject matter might have been viewed as more controversial in 2009, when the play premiered at the Royal Court in London—but after five years, this story of a love triangle between two men and a woman has lost part of its taboo-challenging appeal. Luckily, though, its emotional appeal has endured.
If you’re in the mood for a murder mystery with a religious twist, you’ll want to check out The Last Confession. David Suchet (Poirot) and Richard O’Callaghan star in this play about the mysterious death of Pope John Paul I in 1978. After only 33 days in office, and having warned three cardinals that they would be replaced, he is found dead. Though the Vatican refuses to open an official investigation, Cardinal Benelli goes out in search of the truth.
Erin Shields’ Soliciting Temptation, premiering now at Tarragon Theatre, was highly anticipated—it’s the first new play since 2010 from the eminent female playwright, known for the Governor General Award-winning If We Were Birds. In some respects, it lives up to the hype. It deals with the difficult, often-overlooked subject of child sex tourism, and it does so thoughtfully and with nuance. The overall experience, though, is somewhat underwhelming, because the compelling ideas explored are undercut by an implausible premise.
Broken people, obsession, loss, war, and poverty don’t usually make for the most uplifting stories. But what if love were thrown in? Of Human Bondage does just that. Regarded as one of the world’s greatest novels, it has been brought to life by playwright Vern Thiessen, and will make its world premiere on the Soulpepper Theatre stage.
Up until Ben Affleck and Jennifer Lopez made that movie, the word “Gigli” was associated with images of beauty, the splendour of the opera, and, more specifically, the renowned Italian tenor Beniamino Gigli. In Irish playwright Tom Murphy’s The Gigli Concert, originally written in 1983 and on stage now at Soulpepper Theatre, the singer’s voice represents not only beauty, but hope itself—the one saving force that can pull its two central characters from deep depressions. And, thankfully, the journey to the other side is infinitely more watchable than the previously mentioned Hollywood film.
Be honest, you’re one of those drivers who slows down to gape at traffic accidents, aren’t you? Outside the March aims to satisfy this morbid curiosity with Rosamund Small’s Vitals. In this unique, interactive theatre experience, the 30-person audience gets to accompany Anna (Katherine Cullen) as she gets dispatched out to the scene of an emergency. As the location of the performance is undisclosed, guests will pick up their tickets—and directions to the venue—at 149 Roncesvalles Avenue.