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events

Urban Planner: February 4, 2014

In today's Urban Planner: 1970s cable-access comedy, sexy storytelling, and Rae Spoon's prairie home.

Rae Spoon debuts My Prairie Home with two back to back shows at the Gladstone  Photo by Maya Bankovic

Rae Spoon debuts My Prairie Home with two back-to-back shows at the Gladstone. Photo by Maya Bankovic.

  • Film: Imagine growing up queer in an abusive home in rural Alberta. This is the story of transgender country/electro-pop artist Rae Spoon—a story that’s told in the film My Prairie Home. Cinema Politica presents the film’s premiere Toronto screening, which will be accompanied by a live performance, and a Q&A with Rae, director Chelsea McMullan, and producer Lea Marin. Bloor Hot Docs Cinema (506 Bloor Street West), 6:30 p.m., $2-$10 suggested donation. Details
  • Dance: Told through South American music and dance, Arrabal is the story of a young girl desperate to find out what happened to her father after the Argentine military made him disappear when she was just a baby. Her search leads her to the Tango clubs of Buenos Aires, where she discovers both the truth, and herself. Panasonic Theatre (651 Yonge Street), 8 p.m., $44-$84. Details
  • Comedy: Their January show fell victim to the polar vortex, which means Steph Kaliner and Sara Hennessey are nearly bursting from pent-up hilarity, and twice as pumped for the next episode of their monthly 1970s cable access program, Terrific Women. Upping the comedic ante, they’ll be joined by Rebecca Kohler, Evany Rosen, Steve Patrick Adams, Laura DiLabio, and David Dineen-Porter. The Ossington (61 Ossington Avenue), 9 p.m., PWYC. Details
  • Performing Arts: A new initiative, Tell Me Something Good: A Sexy Storytelling Slam, is looking for unabashed souls willing to go public with their naughtiest anecdotes for the chance to win prizes. Ten volunteers will be chosen to perform, and they’ll be adjudicated by She Does the City columnist Prima Feminista, and I’d Tap That events co-organizer Jesse Rae West. The only rules are that stories must touch on the theme of “beginnings,” be under five minutes, not written down, and completely true! The Beaver (1192 Queen Street West), 11 p.m., FREE. Details

Ongoing…

  • Art: Virginia Woolf once remarked that “on or about December 1910, human character changed.” Whether it actually did is debatable, but the curators of “The Great Upheaval: Masterpieces from the Guggenheim Collection 1910–1918” use that year to start their exhibition of works from a tumultuous decade of innovation in European fine art. Art Gallery of Ontario (317 Dundas Street West), all day, $16.50–$25 (includes general admission). Details
  • Film: Jean-Luc Godard’s effort to haul the cinema out of its infancy and into a kind of artistic maturity is the subject of TIFF Cinematheque’s newest and fullest retrospective in some time, a two-season programme entitled Godard Forever, which is intended to span the length of the filmmaker’s remarkable, varied career—from the jazz-infused improvisation of Breathless to the Marxist montage of recent work like Film Socialisme. The first half of that retrospective, a fifteen-film programme dedicated to what most consider Godard’s golden age—the period from 1960′s Breathless to 1967’s apocalyptic, decade-capping Weekend—runs this season, highlighting the period in which Godard famously moulded existing genres like Hollywood gangster pictures and musicals into his own unique creations. TIFF Bell Lightbox (350 King Street West). Details
  • Film: When young Boston director Andrew Bujalski made a perceptive, low-key comedy called Funny Ha Ha in 2002 on a shoestring budget with a 16mm camera and a group of friends who had little experience, he could have no idea of the ripple effect it would create. Filmmakers started to make movies with whatever meagre resources they had at their disposal and collaborated with each other, and the resulting wave of lo-fi cinema became known as “mumblecore.” Although mumblecore is now considered to include such mainstream successes as Lena Dunham and the Duplass brothers, Bujalski is viewed by many as having led the move to embrace financial limitations and focus on capturing authentic interactions between characters. Bujalski will be on hand for screenings of Funny Ha Ha and his second feature, Mutual Appreciation, on February 3 and 4 respectively. Innis Town Hall (2 Sussex Avenue), $21 in advance/both films. Details
  • Food: Time once again for the City of Toronto’s annual cold-weather enticement to get people out to fine dining establishments, the Winterlicious Festival. Over 200 restaurants have signed up to offer lunch and dinner prix-fixe menus over the official two-week period (many of them continue the pricing for longer), and the City’s also arranged for a number of different culinary events as well. For a full listing of the restaurants participating, visit the City’s website. $15–$45. Details
  • Fashion: Ichimaru—once one of Japan’s most famous geishas—left the profession in the 1930s to pursue a career in entertainment. Never really leaving her past life, she became known for adorning herself in the traditional geisha garb when performing in concert or on television. “From Geisha to Diva: The Kimonos of Ichimaru” exhibits several decades’ worth of outfits and personal effects, shedding light on the woman behind the makeup. Textile Museum of Canada (55 Centre Avenue), 11 a.m., $6-$15. Details
  • Theatre: Cameron and his grandmother share a special tradition: every Thursday night, they escape into the golden age of film together. A musical about unconditional love, The Way Back to Thursday takes us through the changes in this relationship as Cameron grows older and more distant. Theatre Passe Muraille Mainspace (16 Ryerson Avenue), 7:30 p.m., PWYC-$32.50 + HST. Details
  • Theatre: Chances are, you have a couple of pictures on your phone that were taken for “someone special.” But what if they got shared with the world? Nightwood Theatre’s Free Outgoing focuses on the issues of sexuality and safety in our digital age. The play follows the plight of Deepa, a scholarly 15-year-old girl living in the conservative city of Chennai. When the sex video she makes with her boyfriend goes viral, she must deal with the fallout of becoming India’s most watched teenager. Factory Theatre (125 Bathurst Street), 8 p.m., $25-$45. Details
  • Dance: The producers of Riverdance have spawned yet another on-stage extravaganza. With a talented cast of 38, Heartbeat of Home is a high-energy show, combining Irish, Latin, and Afro-Cuban music and dance. Torontonians get the honour of seeing the production’s North American debut—take it in before it’s gone! Ed Mirvish Theatre (244 Victoria Avenue), 8 p.m., $35-$130. Details
  • Theatre: In 2006, the quiet town of Ipswich, England, was turned upside down by the discovery of five dead women. During this time, playwright Alecky Blythe recorded extensive interviews with the nearby residents. Set to music, these audio clips form the script to London Road, a raw piece of theatre illustrating tragedy’s ability to fortify a community. Bluma Appel Theatre (27 Front Street East), 8 p.m., $24-$99. Details
  • Theatre: Morro and Jasp are clown sisters created and played by Heather Marie Annis and Amy Lee, comedians and Factory Theatre writers-in-residence. In their newest adventure, they fall on hard times and take up acting in hopes of making ends meet. Of Mice and Morro and Jasp sees them attempt to bring the classic John Steinbeck tale to the stage. Will they succeed? Factory Theatre (125 Bathurst Street), 8 p.m., PWYC-$25. Details
  • Theatre: The Acting Up Stage Company brings the French Antilles to Toronto audiences with its new musical, Once On This Island. Set to an exuberant Caribbean score, we see the gods test the dark-skinned Ti Moune by sending her on a quest after she falls in love with a higher-class, light-skinned man. Daniels Spectrum (585 Dundas Street East), 8 p.m., $30-$50. Details
  • Theatre: German theatre has gone over really well in Toronto in recent years. Playwright Roland Schimmelpfennig’s contribution to Volcano Theatre’s Africa project was widely praised, and twinwerks//zwillingswerk’s production of Felicia Zeller’s Kaspar and the Sea of Houses earned the company an outstanding production award at the 2011 SummerWorks (and a trip back to 2012′s festival). Now, Theatre Smash returns with Marius von Mayenburg’s The Ugly One, a clever slice of absurdism that works well on several levels. There’s light humour when the titular character discovers that everyone finds his face repugnant, and darker tones when his new, beautiful face becomes coveted obsessively by those around him. Tarragon Theatre (30 Bridgman Avenue), 8 p.m., $13–$53. Details
  • Theatre: In Tarragon Theatre’s current mainstage production, Flesh and Other Fragments of Love, there are both a marriage and a body on the rocks, and the prognosis isn’t good for either of them. While the human figure appears pale, cold, and lifeless, the marriage is slightly more alive, and the play chronicles its last dying breaths. Surprisingly, though, the young female cadaver is by far the more interesting of the two. Tarragon Theatre (30 Bridgman Avenue), 8 p.m., $21–$53. Details
  • Theatre: Even though Billy was born deaf, his family strived to raise him the same way they would have a hearing-able child. Tribes sees him learn what it is to hear and be heard when he meets Sylvia, a young woman who is gradually becoming deaf herself. Presented by A Theatrefront Production, Canadian Stage, and Theatre Aquarius, this emotional play stars Stephen Drabicki and Holly Lewis. Berkeley Street Theatre (26 Berkeley Street), 8 p.m., $22-$47. Details

Happening soon:

Urban Planner is Torontoist‘s guide to what’s on in Toronto, published every weekday morning, and in a weekend edition Friday afternoons. If you have an event you’d like considered, email us with all the details (including images, if you’ve got any), ideally at least a week in advance.

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