In today's Urban Planner: cabaret for a good cause, the kimonos of a geisha, and a romantic comedy romp.
- Theatre: Performer Ashley Gibson, last seen co-starring in Hart House Theatre’s The Wedding Singer, developed a one-woman cabaret show honouring her mother, whom she lost to suicide at an early age. She—in conjunction with Angelwalk Theatre—will be bringing that show, The Life Is Sweet Project, back for a one-night-only fundraiser for the Centre for Addiction and Mental Health. Gibson has been blogging at Dancing Through Life about dealing with depression and mental illness, and sharing guest posts from a number of experts as a lead-up to the event. Toronto Centre for the Arts (5040 Yonge Street), 8 p.m., $30. Details
- Art: Virginia Woolf once remarked that “on or about December 1910, human character changed.” Whether it actually did is debatable, but the curators of “The Great Upheaval: Masterpieces from the Guggenheim Collection 1910–1918” use that year to start their exhibition of works from a tumultuous decade of innovation in European fine art. Art Gallery of Ontario (317 Dundas Street West), all day, $16.50–$25 (includes general admission). Details
- Film: Jean-Luc Godard’s effort to haul the cinema out of its infancy and into a kind of artistic maturity is the subject of TIFF Cinematheque’s newest and fullest retrospective in some time, a two-season programme entitled Godard Forever, which is intended to span the length of the filmmaker’s remarkable, varied career—from the jazz-infused improvisation of Breathless to the Marxist montage of recent work like Film Socialisme. The first half of that retrospective, a fifteen-film programme dedicated to what most consider Godard’s golden age—the period from 1960’s Breathless to 1967’s apocalyptic, decade-capping Weekend—runs this season, highlighting the period in which Godard famously moulded existing genres like Hollywood gangster pictures and musicals into his own unique creations. TIFF Bell Lightbox (350 King Street West). Details
- Food: Time once again for the City of Toronto’s annual cold-weather enticement to get people out to fine dining establishments, the Winterlicious Festival. Over 200 restaurants have signed up to offer lunch and dinner prix-fixe menus over the official two-week period (many of them continue the pricing for longer), and the City’s also arranged for a number of different culinary events as well. For a full listing of the restaurants participating, visit the City’s website. $15–$45. Details
- Fashion: Ichimaru—once one of Japan’s most famous geishas—left the profession in the 1930s to pursue a career in entertainment. Never really leaving her past life, she became known for adorning herself in the traditional geisha garb when performing in concert or on television. “From Geisha to Diva: The Kimonos of Ichimaru” exhibits several decades’ worth of outfits and personal effects, shedding light on the woman behind the makeup. Textile Museum of Canada (55 Centre Avenue), 11 a.m., $6-$15. Details
- Film: Film critic Shlomo Schwartzberg is spending his Mondays for the next several months on a lecture series about the career of one of America’s greatest commercial filmmakers. Defining Greatness: Director Steven Spielberg launched on January 20 with a examination (and clips) of some of Spielberg’s greatest hits (E.T. the Extraterrestrial, Lincoln). On January 27, the series looks at early films like Duel and Jaws, before moving weekly through the rest of Spielberg’s body of work. There’s a flat fee of $90 for the whole series, or drop-in prices for single lectures. Miles Nadal JCC (750 Spadina Avenue), 7 p.m., $6-$11.25. Details
- Theatre: The word “idiot” was originally used in ancient Greece to describe a person unconcerned with public affairs like politics, but dedicated to following private pursuits. The setting of Robert E. Sherwood’s 1936 romantic comedy Idiot’s Delight, a failing luxury hotel in the Italian Alps called the Hotel Monte Gabriele, initially seems to be full of idiots: newlyweds on their honeymoon, a group of burlesque singers and their manager, a blissfully genial waiter, and a couple of ornery managers sour over the lack of business. And when a spark flies between a beautiful and mysterious Russian and a smooth-talking American showbusinessman, while the other guests dance, drink, eat, and sing, there’s another piece of juicy plot that can be used to distract themselves, and the audience, from the war that’s literally raging outside the hotel windows. Young Centre for the Performing Arts (50 Tank House Lane), 7:30 p.m., $29–$74. Details
Urban Planner is Torontoist‘s guide to what’s on in Toronto, published every weekday morning, and in a weekend edition Friday afternoons. If you have an event you’d like considered, email us with all the details (including images, if you’ve got any), ideally at least a week in advance.