In today's Urban Planner: prix-fixe deliciousness, an improv showdown, and one of Toronto's breakout bands.
- Food: Time once again for the City of Toronto’s annual cold-weather enticement to get people out to fine dining establishments, the Winterlicious Festival. Over 200 restaurants have signed up to offer lunch and dinner prix-fixe menus over the official two-week period (many of them continue the pricing for longer), and the City’s also arranged for a number of different culinary events as well. For a full listing of the restaurants participating, visit the City’s website. $15–$45. Details
- Music: Performer Jeni Walls has earned a rep as a musical chameleon, based on her one-woman show Liza Live! and her performances on tour imitating pop stars like Lady Gaga and Miley Cyrus. But aside from her weekly gig as host of musical theatre open mic Singular Sensation, Walls hasn’t performed as herself in a long while. That changes with Jeni Walls as Jeni Walls, a one-night-only cabaret where she’ll debut new material, backed up by talented friends like Chris Tsujiuchi, Matt Marcoccia, and Jamie Bird. The Flying Beaver Pubaret (488 Parliament Street), 7 p.m., $15–$20. Details
- Comedy: Bad Dog Theatre launches its 12th annual Globehead Tournament for the month of February, and the teams slated to compete are particularly stacked this year. Along with Torontoist favourites like the National Theatre of the World, Tony Ho, and the Sufferettes, there’s a bunch of new teams featuring some of our favourite improvisers, including Michael Fassbender (Picnicface’s Kyle Dooley and Versus Valerie’s Hannah Spear, who just won an IAWT award) and the Muggers (Two Weird Ladies’ Mandy Sellers and Illusionoid’s Nug Nahrgang.) The preliminary rounds run Friday and Saturday the first two weekends in February; the quarter-finals, Friday, February 14 and Saturday, February 15; and the semi-finals and finals, February 21 and 22. For the full schedule and ticket pricing, check out Bad Dog’s website. Comedy Bar (945 Bloor Street West), 8 p.m., $10–$40. Details
- Music: Punk rockers Pup were arguably one of Toronto’s breakout bands in 2013, on the strength of their spirited self-titled debut LP and their raucous and bloody debut video for Reservoir, embedded above. Their first hometown headlining gig of 2014 will feature opener support from fellow local outfits Grounders and Dilly Dally. The Garrison (1197 Dundas Street West), 9 p.m., $10. Details
- Art: Virginia Woolf once remarked that “on or about December 1910, human character changed.” Whether it actually did is debatable, but the curators of “The Great Upheaval: Masterpieces from the Guggenheim Collection 1910–1918” use that year to start their exhibition of works from a tumultuous decade of innovation in European fine art. Art Gallery of Ontario (317 Dundas Street West), all day, $16.50–$25 (includes general admission). Details
- Film: Jean-Luc Godard’s effort to haul the cinema out of its infancy and into a kind of artistic maturity is the subject of TIFF Cinematheque’s newest and fullest retrospective in some time, a two-season programme entitled Godard Forever, which is intended to span the length of the filmmaker’s remarkable, varied career—from the jazz-infused improvisation of Breathless to the Marxist montage of recent work like Film Socialisme. The first half of that retrospective, a fifteen-film programme dedicated to what most consider Godard’s golden age—the period from 1960’s Breathless to 1967’s apocalyptic, decade-capping Weekend—runs this season, highlighting the period in which Godard famously moulded existing genres like Hollywood gangster pictures and musicals into his own unique creations. TIFF Bell Lightbox (350 King Street West) Details
Theatre: It’s 1931 in Berlin, and the Nazis are on the brink of supremacy. But there remains another side to the city—one that’s decadent, permissive, and artistic. And that’s the world we meet when we’re beckoned into the extravagant and sleazy Kit Kat Klub by eccentric Emcee and his troupe of saucy dancers, performing “Willkommen.”
Cabaret’s primary plotline begins with the arrival of American writer Cliff Bradshaw (David Light). Without a real agenda, he’s come to Berlin to work on his novel and teach English. A patron of the Kit Kat Klub, he catches the eye of the star performer Sally Bowles (Kylie McMahon). A natural stunner, Sally is a bubbly young Brit with a powerhouse voice, a dancer’s grace, and a reputation for flitting from man to man like a bumblebee in a flowerbed. It’s not long before she and Cliff fall in love—though the question of whether he’ll be able to satisfy her wild side constantly hangs over their heads. The sweetness lacking in their relationship can be found in the romantic pairing of the boarding house landlord Fraulein Schneider (Adeen Ashton Fogle) and Jewish shop owner Herr Schultz (Don Berns). As appealing as they are, though, these middle-aged lovebirds are just as susceptible to trouble and heartbreak as their younger counterparts. Lower Ossington Theatre (100 Ossington Avenue), $49-$59. Details
- Fashion: Ichimaru—once one of Japan’s most famous geishas—left the profession in the 1930s to pursue a career in entertainment. Never really leaving her past life, she became known for adorning herself in the traditional geisha garb when performing in concert or on television. “From Geisha to Diva: The Kimonos of Ichimaru” exhibits several decades’ worth of outfits and personal effects, shedding light on the woman behind the makeup. Textile Museum of Canada (55 Centre Avenue), 11 a.m., $6-$15. Details
- Theatre: Every revolution needs a leader. And though the movement to bring the classic 1980s musical Les Misérables back to Toronto is markedly different than the quest for political accountability and social equality, it has its hero just the same. After the official opening performance at the Princess of Wales Theatre, the audience likely would have followed London-based, Richmond Hill-raised performer Ramin Karimloo (as the story’s golden-hearted protagonist, Jean Valjean) anywhere he would lead. Princess of Wales Theatre (300 King Street West), 7:30 p.m., $35–$130. Details
- Theatre: Cameron and his grandmother share a special tradition: every Thursday night, they escape into the golden age of film together. A musical about unconditional love, The Way Back to Thursday takes us through the changes in this relationship as Cameron grows older and more distant. Theatre Passe Muraille Mainspace (16 Ryerson Avenue), 7:30 p.m., PWYC-$32.50 + HST. Details
Theatre: You can surmise a couple of things from the title of Stewart Lemoine’s play, receiving its Toronto debut 18 years after its Edmonton premiere. Like The Exquisite Hour, which producing company the Theatre Department launched with in 2012, Pith! is not much more than a hour—brevity being the soul of wit, after all. Pithy does in part mean concise, but “pith”? Well, it can mean “the essence,” and this play is concerned with getting to the essence of play, and by extension, a play.
Jack Vail (Ron Pederson) is a sailor and adventurer who, on a whim, decides to see what sort of adventures can be had in Providence, Rhode Island, in the summer of 1931. He’s just disembarked from a long sea voyage, and craves more genteel company, which he decides he’ll find at a Sunday church service and social. His attention is quickly drawn to a woman in mourning cloth and to her slightly less subdued companion, whom he finds sobbing over a plate of pie outside after the service. She introduces herself as Ms. Nancy Kimble (Amy Matysio), and shares the sad tale of her employer Mrs. Virginia Tillford (Daniela Vlaskalic), who has held out hope for a decade that her husband will return from a trip to South America, where he vanished. Theatre Passe Muraille Backspace (16 Ryerson Avenue), 7:30 p.m., PWYC–$20. Details
- Theatre: Chances are, you have a couple of pictures on your phone that were taken for “someone special.” But what if they got shared with the world? Nightwood Theatre’s Free Outgoing focuses on the issues of sexuality and safety in our digital age. The play follows the plight of Deepa, a scholarly 15-year-old girl living in the conservative city of Chennai. When the sex video she makes with her boyfriend goes viral, she must deal with the fallout of becoming India’s most watched teenager. Factory Theatre (125 Bathurst Street), 8 p.m., $25-$45. Details
- Dance: The producers of Riverdance have spawned yet another on-stage extravaganza. With a talented cast of 38, Heartbeat of Home is a high-energy show, combining Irish, Latin, and Afro-Cuban music and dance. Torontonians get the honour of seeing the production’s North American debut—take it in before it’s gone! Ed Mirvish Theatre (244 Victoria Avenue), 8 p.m., $35-$130. Details
- Theatre: Let’s face it: being a twenty-something can kinda suck. Pumped full of confidence and aspirations, we flee the family nest…and fall flat on our faces. Avenue Q uses songs (written by Robert Lopez and Jeff Marx) and puppetry both to lament and poke fun at this difficult time. Much like Sesame Street, it has a cast made up of human actors who interact with a variety of furry creatures, who themselves have hands up their butts. Think that description is tasteless? This might not be the show for you—these puppets are crude and lewd, and have a taste for alcohol and porn. Don’t say you weren’t warned. Lower Ossington Theatre (100 Ossington Avenue), 8 p.m., $49-$59. Details
- Theatre: In 2006, the quiet town of Ipswich, England, was turned upside down by the discovery of five dead women. During this time, playwright Alecky Blythe recorded extensive interviews with the nearby residents. Set to music, these audio clips form the script to London Road, a raw piece of theatre illustrating tragedy’s ability to fortify a community. Bluma Appel Theatre (27 Front Street East), 8 p.m., $24-$99. Details
- Theatre: Morro and Jasp are clown sisters created and played by Heather Marie Annis and Amy Lee, comedians and Factory Theatre writers-in-residence. In their newest adventure, they fall on hard times and take up acting in hopes of making ends meet. Of Mice and Morro and Jasp sees them attempt to bring the classic John Steinbeck tale to the stage. Will they succeed? Factory Theatre (125 Bathurst Street), 8 p.m., PWYC-$25. Details
- Theatre: The Acting Up Stage Company brings the French Antilles to Toronto audiences with its new musical, Once On This Island. Set to an exuberant Caribbean score, we see the gods test the dark-skinned Ti Moune by sending her on a quest after she falls in love with a higher-class, light-skinned man. Daniels Spectrum (585 Dundas Street East), 8 p.m., $30-$50. Details
- Theatre: German theatre has gone over really well in Toronto in recent years. Playwright Roland Schimmelpfennig’s contribution to Volcano Theatre’s Africa project was widely praised, and twinwerks//zwillingswerk’s production of Felicia Zeller’s Kaspar and the Sea of Houses earned the company an outstanding production award at the 2011 SummerWorks (and a trip back to 2012’s festival). Now, Theatre Smash returns with Marius von Mayenburg’s The Ugly One, a clever slice of absurdism that works well on several levels. There’s light humour when the titular character discovers that everyone finds his face repugnant, and darker tones when his new, beautiful face becomes coveted obsessively by those around him. Tarragon Theatre (30 Bridgman Avenue), 8 p.m., $13–$53. Details
- Theatre: In Tarragon Theatre’s current mainstage production, Flesh and Other Fragments of Love, there are both a marriage and a body on the rocks, and the prognosis isn’t good for either of them. While the human figure appears pale, cold, and lifeless, the marriage is slightly more alive, and the play chronicles its last dying breaths. Surprisingly, though, the young female cadaver is by far the more interesting of the two. Tarragon Theatre (30 Bridgman Avenue), 8 p.m., $21 to $53. Details
Urban Planner is Torontoist‘s guide to what’s on in Toronto, published every weekday morning, and in a weekend edition Friday afternoons. If you have an event you’d like considered, email us with all the details (including images, if you’ve got any), ideally at least a week in advance.