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The Exhibition: Empty

Torontoist’s photographers are exploring the Canadian National Exhibition. Today, in the last edition of The Exhibition, Ryan Walker looks at what the fairgrounds look like before the crowds arrive, and—starting here in the gallery above—what’s left after the crowds go away.

Bookending the two-and-a-half weeks that the Canadian National Exhibition fills are several days of chaos on the exhibition grounds. Leading up to the fair, hundreds of colourful structures seem to spring out of nowhere, and prizes—sure to be some child’s pride and joy—are unpacked and put on display in the hopes of enticing one of the million or so fairgoers to try their luck. The assembly of the fairgrounds (done in part by the South African workers we profiled in August) is organized, good spirited, and productive. That only makes for a more marked contrast with the Ex’s disassembly. There’s no sense of excitement, no fanfare: it’s a messy, strictly business sort of affair, one that unceremoniously reinforces just how temporary the CNE is.
Photos by Ryan Walker/Torontoist.

CORRECTION: SEPTEMBER 10, 2010 The photo gallery above is not just of the Ex after the crowd leaves for the season, as this article originally suggested—before this shot, it’s of the Ex before the crowds arrive as well.

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  • http://undefined richelle

    TLR’s rule! Gorgeous work Ryan!

  • http://bit.ly/accozzaglia accozzaglia

    Uhm, unless these were shot with the Minolta Autocord he used on recent sets in his Flickr feed, then it’s likely that all these CNE shots came from his Canon 7D digital camera. Just because an image is of square format does not mean they come from a 120/220 roll of film (or a TLR). Take 126 film, for instance.
    The tell-tale sign here is that most of Ryan’s Canon shots shown in Toronoist and on his Flickr page feature that Photoshoppy effect that I refer to as his “Beijing smog brown” filter. I’m not sure whether he does that to mimic expired film, whether just his trademark, or whether something’s fundamentally wrong with his gear, but it’s usually the one thing that detracts from otherwise often very good compositions and subject matter. As I have noted in the past, its cuteness is cloying.

  • http://undefined Michael Chrisman

    Richelle is correct, Ryan did in fact photograph these with a TLR camera.

  • http://bit.ly/accozzaglia accozzaglia

    Is that so? Then tell me: what’s up with the brown milkiness this shot? An acute case of Photoshoppiness and joy?

  • http://undefined richelle

    Don’t hold back accozzaqlia, tell us how you really feel.

  • http://undefined Jeff S

    Beautiful shots Ryan. Shooting film with your medium format Minolta Autocord gives these shots a unique feel–depth of field, smoothness/milkiness of tones, etc. It would be difficult to obtain tones like these using 35mm–especially slide films such as Kodachrome or Fujichrome Velvia.

  • http://bit.ly/accozzaglia accozzaglia

    Film frame size has no effect upon the colour and tonality rendition of any particular film stock. I’m not sure you were aware of this before, but now you are. Incidentally, medium format Kodachrome and Velvia definitely exist.
    And for what it is worth, I probably know this because I also shoot with both 120/220 medium format film and with 135 35mm film (along with other film and digital formats when those opportunities present themselves).

  • http://bit.ly/accozzaglia accozzaglia

    Of course not, richelle. I would love to share more with you.
    Ryan’s work is great (if not good) composition, as it nearly always is. His tinkering in Photoshop to render everything flatter and more smoggy brown than how it came out of the camera, however, is either a gimmick/trademark or his or an artifact of inexperience with some tool within Photoshop. I doubt seriously it’s the latter.
    It is annoying enough to say something when it relates to news photojournalism, à propos Torontoist. For aesthetic portfolio choices, there’s really no issue at all.
    Is there anything else you want to hear?

  • http://undefined Jeff S

    No.

  • http://bit.ly/accozzaglia accozzaglia

    I was speaking to richelle, not to you. :)

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