We Are All on Pugs

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The most loved, and hated, commercial/institutional buildings of 2008: the AGO (top, photo by Craig Web) and Mount Sinai Joseph & Wolf Lebovic Centre (bottom).

Last night's Pug Awards for the city's best and worst new architecture had it all: Big buildings! Big winners! Big ideas! Big plans! And—thanks to Councillor Adam Vaughan—big awkwardness!

Maybe it was fate that pushed the ceremony—originally planned to be held at the Gardiner Museum—just a little further east along Charles Street West, to the fittingly gorgeous McKinsey & Co. building. Just out the east-facing windows of McKinsey & Co., past the construction site of The St. Thomas, stands One St. Thomas, the extraordinarily showy but unmistakably classy building (pictured below) that would, at the end of the night, win as the best-loved residential building completed in 2008, beating out the twenty-three other nominees in its category. The big winner among commercial and institutional buildings was Frank Gehry's Art Gallery of Ontario redesign, the announcement of its victory drawing the most applause, as well as the least surprise, from the audience.

The losers—the buildings in each category that were most disliked—weren't announced at the event but via a press release a while after, perhaps to spare the feelings of the well-dressed and well-heeled invited attendees (planners, architects, designers, consultants, etc.). It was a shame, though: the awards, decided based on how many people voted to "love," "like," or "hate" a building, are structured on the idea that a city learns and grows from both the good and bad examples of architecture within it, and buildings like the colossal mess that is Toronto Life Square (which finished in second-last place in the commercial/institutional group, just ahead of Mount Sinai's Joseph & Wolf Lebovic Centre) deserve to be shamed publicly, torn down if at all possible, and, if not, held up as the mistakes they are.

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The most loved, and hated, residential buildings of 2008: One St. Thomas (top) and Hampton Plaza (bottom, photo by Joy Von Tiedemann).

Before the winners were announced, though, the night featured a panel discussion between George Baird (dean of U of T's Faculty of Architecture, Landscape, and Design, and big-deal architect and critic), Joe Berridge (partner at design firm Urban Strategies Inc.), Alan Vihant (the vice-president of development at Condord Adex and the man behind the waterfront CityPlace), Adam Vaughan (oh come on, you know who that is), and moderator Michael King (co-founder of SceneAdvisor and founding CEO of Kontent Group), all focused on one question: "Does Toronto have a master plan?" The discussion quickly shifted from whether it does to whether it even ought to.

Vaughan, first to talk, said he wouldn't respect a master plan and that we should get away from the centralization that ideas like a "master plan" participate in, because it "creates ridiculous culture wars"—like the so-called war on cars, which pits the suburbs against downtown. That war is less on cars, Vaughan explained, than it is on the bad ideas of the past. "We do need a new plan," Vaughan said, "not a master plan." Too often planners look to the past for ideas, and "yesterday doesn't work anymore." As a partial result of the latest economic slide, for instance, there will be what Vaughan labelled a "new economics"—a "new feminization"—that will be the result of a change in which the predominant taxpaying, and voting, group is: women. Cities will soon have to be built and run with women in mind; priorities such as education and child care will increase in prominence.

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The panel. From left to right: Adam Vaughan, Alan Vihant, Joe Berridge, George Baird, and moderator Michael King. Photo by David Topping/Torontoist.

Berridge, like Vaughan, doubted the benefit of a master plan. "I actually don't think Toronto is plannable," he explained. "We are a chaotic, messy, growing, dynamic place." Calling Toronto "the Mumbai of the developed world," Berridge deemed Toronto "preternaturally ugly" and all the better for it. "We've got to get away from the whole idea of beauty and park it in Venice, which is"—like Paris, he said—"another boring city." And we have to spend serious money on development, which means more taxes.

Baird was less opposed to the idea in principle of a master plan, but called for one that was "more dynamic." "You do need a framework for growth which is efficacious," but to be effective it must have "public support," which is what is really missing now, because the "public doesn't think it has a purchase." To make something spectacular, Baird said, a city needs "collective will." And "we're gonna have to spend money." (He also teased "five remarkable plans for parks" on the waterfront and promised that "they're gonna be terrific. You're gonna be surprised.")

Like Baird, Vihant suggested that a master plan could exist, but that it'd always be changeable and changing. "There was a master plan," he said, "and we've changed it," pointing to the lakefront's redevelopment, the turn it made from an area focused on stadiums to one focused on residents. Toronto has, he said, "an ad-hoc-ism which I like"; like Berridge, Vihant suggested that Toronto should not look to Europe and must root out its "bleeding-heart Euro-philism."

Vaughan seemed to agree, too. "You can't codify Kensington Market into existence," he said. "What you need are good neighbourhood plans," ones tailored to individual neighbourhoods' needs. For the city's problems, Vaughan blamed not localized planning, but the "awful colonialism we suffer under"—the constant need to beg for money from the provincial and federal governments. The solution? We get the money that we need from each other. "The challenge in this era," Vaughan said, "is to respect and love being taxed. This city is worth paying for."

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Photo of Regent Park, taken last December, by Metrix X from the Torontoist Flickr Pool.

It was Vaughan, though, who would singlehandedly break the amicable tone of the night, a tone that he'd largely set. (The first thing he'd said earlier was "all my comments are without prejudice," a joke about how city councillors want to be able to launch defamation lawsuits using public money.) As King, the moderator, started to ask a question about what Toronto can learn from the rest of the world in terms of avoiding, or fixing, developments like Regent Park and St. Jamestown—pointing out how far those developments were from the utopias they were originally envisioned as being—Vaughan got more and more upset. Quietly muttering "ridiculous" as the question developed, which his microphone picked up before he repeated the word, louder, right into it, Vaughan fought to cut King's question off altogether a few seconds later. It was amalgamation and its effects, Vaughan argued overtop of King, that was largely responsible for the degeneration of the city's ability to build neighbourhoods. "We got it right," Vaughan said, "and then that awful colonialism came and took it away." Instead of so heavily concentrating our search for answers externally, he explained that we should "look to the city's own history," to architects like Jack Diamond. Vaughan's final punctuation on his point sucked the air out of the newly tense room and the colour right out of King's cheeks. "I will be damned," Vaughan said, "I will be damned if I hear Toronto talked about in that way on this panel."

Total silence from the panel and the audience. When a flustered King attempted to recover a few seconds later, stammering and stuttering through his follow-up question, he was met with a bit of nervous laughter from the crowd. Wrapping up the panel (very) soon after, King turned to the audience. "Is there anyone who'd like to ask a question," he asked, still looking confused. No hands. "...Of Mr. Vaughan?" A bit of laughter; still no hands. (The press release sent out late last night by the Pug Awards would describe the roundtable as "lively.") Then Vaughan stepped in unprompted, talking for a minute or two more about how the focus must be on Toronto's "physical and human beauty." King thanked him for it, and the Pugs were given out shortly thereafter, proof that cities, like the politicians that serve them, can be full of extraordinary ideas and still make extraordinary missteps.

All images, unless otherwise noted, courtesy of the Pug Awards.

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Comments (4) [rss]

How in God's holy name did that blandly inoffensive green box (Sinai) -- or anything, for that matter -- get voted more hated than the monstrosity of Toronto Life Square? I can only assume it was a nod to the special effort required to produce a building as aggressively ugly as TLS, where the Lebovic Centre's ugliness is presumably just the result of negligence.

Aside from the outburst, I can't expect that Vaughan's love poem to taxation - he knows what council he serves on and its track record, right? - went over smoothly. Surely this is not one of the "extraordinary ideas" the author refers to in the last paragraph? If it is, it seems to contradict Vaughan's assessment - which he has watered in the past weeks into a budding mayoral slogan -that a new plan is needed. Of all the warmed-over ideas espoused by statists and their admirers during the post-war era, I can't think of one that has been more thoroughly exposed as deranged and misguided idealism than the idea that individuals will come to love forking over a substantial portion of their income through taxation, to be fed back to them by a corrupt and self-aggrandizing political class, less the portion wasted on boondoggles, legacy building, self-protection (the libel fund is dead on point) or wedge issue manipulation to keep the same political class afloat.

I never thought it possible, but this Vaughan character may actually be more of a useless utopian than our current Mayor.

Anyone who says we should "respect and love being taxed" is dangerous and deluded. Our governments, including municipal, are full of boondooggles and inefficiencies that must be thoroughly renounced and expunged before the intellectual/governing elite ever expect us to love or respect taxation.
Since Canadians have little choice in regards to how their pockets are picked, it should be the tax-collecting institution that show respect for us, rather than expect it.
And if that is a photo of Regent Park from December, it truly is a utopia. Sign me up!

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