At first it all seemed simple: Billy Bob Thornton, famous actor, goes on CBC's Q last Wednesday and is a total dick to the show's host, Jian Ghomeshi, for hinting at Thornton's Hollywood fame rather than his barely known band, the Boxmasters. And that's how it played out, for a while, landing on Perez Hilton, Gawker, the Star, BlogTO, the Canadian Press, Digg, etc., etc., etc.
But after a while, the story started to say less and less about Thornton's bizarre hypersensitivity than it did Canadians'.
A bit over ten minutes into the video, as the tense air was finally clearing, an obviously uncomfortable Ghomeshi asked a stewing Thornton if "different audiences react to you in different ways," a question based on how "eclectic" the Boxmasters' music was and that tourmate Willy Nelson's audience, Ghomeshi suggested, was less than eclectic.
Thornton: "Well, the good news is that Willy's audience is pretty eclectic, you know. He has everything from bikers, to, you know, old people to young people, so somewhere in there, you find, you know, an audience, or at least we do in Europe and the United States. Uh, Canadian audiences seem to be very reserved."
Ghomeshi: "Yeah?"
Thornton: "Yeah."
Ghomeshi: "We've heard that before."
Thornton: "You know, we tend to play places where people throw things at each other, and, uh, here they just sort of sit there."
(Ghomeshi laughs.)
Thornton: "And it doesn't matter what you say to them."
Ghomeshi: "Even when you're playing,..but you're playing theatres as well, right?""
Thornton: "Some are theatres, some are, like, stadiums, or whatever you want to call it. But uh...it's very, um, well, very, um, well—it's mashed potatoes with no gravy, you know what I'm saying?"
Ghomeshi: "We got some gravy up here as well."
Thornton: "Yeah, you do actually, on a lot of things."
(Ghomeshi and Thornton both chuckle.)
And somehow that slowly became the big story. Instead of douchebag actor/musician is total prick to well-meaning interviewer, it got reframed as asshole American is total prick to well-meaning, earnest Canadian and—God help us—our concert audiences.
The defensiveness was already omnipresent in the comments of every outlet that covered the original story (especially Q's own blog), but in seemingly every major story thereafter—especially after Thornton played Massey Hall, in spite of his explanation that "I love the country, I love the people," and his calling Ghomeshi an "asshole," leaving little doubt as to who he was really pissed at—the "mashed potatoes with no gravy" comment was the fulcrum for every outlet's coverage of the interview. It only got worse after the Boxmasters dropped out of the rest of Nelson's tour. The comment has already become a cultural touchstone in the worst way—you know a joke is dead when the Star's lead into an article is a heavy-handed reference to it that has little to do with the actual story: "Note to Billy Bob Thornton: The Scott Mission has potatoes and gravy. Volunteers piled it on yesterday as about 400 needy people filled the Spadina Ave. shelter for an Easter meal that included roast lamb, soup and hearty vegetables."
Thing is, Ghomeshi chuckled throughout Thornton's comments about Canadian audiences because, at least from what we've seen, those comments are mostly right; we've heard that before, too, and seen it with our own eyes. Torontonian audiences are famously reserved. We tend to not throw things. We do just kinda sit there, especially for countryish bands like the Boxmasters (rather than, say, Daft Punk). The interview between Ghomeshi and Thornton was no microcosm of a larger problem of cultural relations: it was an awkward morning confrontation between a grumpy wannabe rock star and self-described "music historian" and an interviewer who just thought he was giving "context" by mentioning the thing the person was actually famous for. Even if Thornton's comments weren't mostly true, his jab at us wouldn't be worth taking up arms about, just as Red Eye's stupid jokes weren't. Ghomeshi, the real target of Thornton's anger, seemed to shrug it off just fine, so why has it been so difficult for some of the rest of us? After all, a country without some gravitas or a sense of humour about itself is just like...well, you know.

I, for one, will never be able to watch 'Mr. Woodcock' again without feeling a great sense of shame. This is somehow different than before.
I haven't even shrugged it on yet. I can't bring myself to watch the video or care about what's said within.
But if it's true or mostly true, what's the real problem?
Tempest, meet teapot. Teapot, tempest. As far as entertainment "reportage" goes, Billy Bob is a refreshing blast of dickishness in a week that culminated with the Smiley Virus national-tween-orgasm-blockbuster.
If we can't take some unkind words from a irrelevant celebrity then maybe he should have called us pussies too on top of everything else he said.
I've always heard that Canadian audiences were well-mannered and kept quiet during the performance. After the performance, there would be a few seconds of silence then the applause.
Even when introducing a "favourite", after the recognition applause that comes with the opening chords, the audience would fall completely silent and wait till the work was over to applaud.
Just ask Ronnie Hawkins and Dolly Parton--to name a few.
Quite frankly, I think my programmable telephone has more brains than BBThornton.
I think it depends on the type of venue. I think we're polite and quiet (respectful?) when it's a theatre or seated setting. But when it comes to clubs and bars, I've found Toronto audiences more concerned with maintaining their conversations with each other in the loudest possible voice, as if the artist performing is interrupting dialogue that couldn't possibly wait until after the set is over. A gazillion times worse if you're an opening act. It's partially this type of rudeness that makes me avoid bar/club shows.
As for Billy Bob, if it wasn't for the association with his Hollywood career, his band would never be on a bill with Willie Nelson and touring largeish venues. The fact that he hijacked his bandmates' high-profile radio appearance in the way he did was incredibly selfish.
I remember Dolly Parton gushing on about the reception and conduct of the audience in Craven SK at a country music festival. This was in the '80s.
You are essentially right. I was thinking of seated venues and concert performances rather than the night club or dance venue performances.
But ask Ronnie Hawkins about Canadian audiences and why
he still nearly worships the land this country is on.
Your description is 100% accurate.
Thanks for pointing this out David! I couldn't agree more. I was at a family dinner and I was laughing about how ludicrous it was for Billy Bob to answer Ghomeshi's questions with "I don't know what that means".
The conversation quickly turned to the mashed potatoes without gravy part, which to me had been blown out of proportion by the media.
Every Canadian interviewer seems to ask the question, phrased one way or another, "do you like us?"
In this case, there's lots of other reasons to think BB is a doofus, so who cares which one people choose.
Ghomeshi is Persian (Iranian). Do you guys think that has anything to do with the way he was treated ;)
The reason it has been hard to "shrug off" is because nothing ever happens up here! All of a sudden a radio station we know and an interviewer we are familiar with is on CNN and Perezhilton and TMZ and we all feel as if we are a part of something (which we really, really aren't). The situation was a one off that happened at 6am that started off bad and didn't end better.
Canadian audiences are generally downright terrible compared to other regions audiences. They talk and ignore the artist on the stage and when the actually manage to pay attention they sorta shift back and forth on their feet afraid to all out and dance. On occasion they will heckle (not necessarily in a mean way just in the way that they want themselves to be heard by the artist and the whole audience as well).
I, for on, can't wait until the Canadian media/blogs and all the folk that follow them get over wringing blood from the promotional stone. They all shout at Billy Bob Thorton but what they really want to say, if the are smart, is: thank you for putting our CBC and Jian on the North American map at a time that the service is being threatened.
Duh.
Who's Billy Bob Thornton and why do I care?
Explaination?!
I don't see weird spelling on Torontoist very often but that seems like one that shouldn't have happened.
I have no explaination for the mistake, which is totally my fault. I fixed it.
I know I've said this before and got flamed for it (that Chaka Khan and the Shriners article last summer), but I'd like to think Toronto audiences are neither overly tame nor unusually respectful; I'd like to think we're just too cool for school (or concerts).
Next time someone criticizes Torontonian audiences for not dancing/hollering/smashing bottles over each others' heads, just claim it's because we're too cool to bother.
how is not dancing cool?
I just assumed Jian laughed it off because it was one of those "pick your battles" moments.
I thought Billy Bob was a real dick and unprofessional but I think there are many reasons the story has gone on so long. I think the main reason is that its an easy story since there's very little light local news of interest recently, partly because of a weather related undercurrent of grumpiness in the local population, lets face it we were all hoping for nicer weather by now, partially because many were amused/confused by the term "potatoes without the gravy", and partially because for some unknown reason (to me anyways) its one of those stories where everyone wants a kick at the can so to speak, even the Torontoist and now me too.
I was angered primarily by his a-hole attitude, and then later very much enjoyed the backlash. The best was by far them canceling the rest of their Canadian shows, which I saw announced on Yahoo MOVIES. Ha!
However, I completely agree that the focus being on the whole "gravy" statement is pointing at the wrong problem, that being that Billy Bob is a hypocrite who wants to use his fame to play at being a musician but somehow pretend that it isn't the reason why his two-year old band is opening for Willie Nelson.
I guess the whole gravy thing is a nice concise soundbite.
It takes some of the joy out of the downward spiral.
It's true that Canadian audiences generally sit and watch/listen rather than "participating" by dancing, singing, hollering really loudly, or whatever. Meh. Different strokes...
Listen to Deep Purple's "Made in Japan" and you'll hear an audience even politer than a Roy Thompson Hall full of Torontonian blue-bloods, but they still managed to create one of the great live rock albums out of it.
And anyone who's ever been to hear Blue Rodeo at the Amphitheatre, for example, knows that if you can create real comfort and familiarity for your audience they'll rock here too. That's the performer's challenge. The audience pays their money and can enjoy the show as they please.
I would have thought that the logical thing to do based upon the interview comments would be to throw the mashed potatoes with gravy at Mr. Thornton so he would feel more at home. After all he is used to playing venues where people throw things. :-)