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Hokey Fight in Canada

20081004hnic.jpg
There’s controversy brewing around CBC’s Hockey Night in Canada Anthem Challenge, and it doesn’t even involve “Hockey Scores”!
Every weekday this past week, a new semi-finalist has been unveiled on The Hour, and the competition’s down to “Canadian Gold” by Colin Oberst, “Sticks to the Ice” by Robert Fraser Burke, “Eleventh Hour” by Graham McRae, “Let The Game Begin” by Jimmy Tanaka, and “Ice Warriors” by Gerry Mosby. (For what it’s worth, “Hockey Scores” still has more views than all of the semi-finalists put together.)
Aside from the expected complaints about deserving entries that didn’t make it and undeserving entries that did, it’s “Ice Warriors” that has fans getting so worked up. Gerry Mosby, you see, once (probably) worked with Lou Pomanti, who the CBC brought in to co-produce the final five songs. Adam White—who had a submission in the contest himself—wrote about the connection on his blog, pointing to a Playback listing that showed Mosby and Pomanti working together at the dozen-person staff of “Jungle Music Productions” at 512 King Street East. Fans are intermitently furious about it!
Just like the five semi-finalists, though, the controversy isn’t quite as exciting as you’d hope. Yes, Mosby and Pomanti do seem to have worked together, but a ways back back: the only reference we can find on Playback (or anywhere) is from a list of the “top audio post and post shops” in Canada, dated 1999. The listed phone number doesn’t work, the fax number is no longer in service, and a Yellow Pages search of the building it’s listed as being in turns up nothing. Besides, says the CBC:

Each of the approximately 15,000 eligible anthems was rated according to established criteria by five jurors from a pool of approximately 400 jurors. A smaller group of the leading anthems was then reviewed by a panel of experts including members of the Canadian music and hockey communities. Following that, a senior jury of music professionals, CBC and Hockey Night In Canada executives met together to review and select the semifinalists. The five semifinalists Canada will vote for were chosen unanimously by this senior jury….with regard to the potential conflicts of interest, in the event judges had personal or professional contacts with contestants, they were disclosed and appropriately noted through the selection process.

In other words, there’s not too much of a basis for the argument that any of the final candidates snuck in through the back door.
Still, the non-controversy is a welcome bit of animation for a competition that badly needs it. Now that “The Hockey Theme” is in CTV’s hands and “Hockey Scores” has been relegated to the “Fun and the Quirky” section of the CBC’s site, the last best hope for a “Hockey Night in Canada” anthem seems to be in the hands of thirteen-year-old (Torontonian!) Robert Fraser Burke, whose semi-final anthem is half sports anthem, half classic video game theme. It just might work.
Photo by scaturchio from the Torontoist Flickr Pool.

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Comments

  • EricSmith

    There are at least two things wrong with all of these, save “Sticks to the Ice” and “Hockey Scores”: their insipid, synthy gloss and the fact that they go on for too damned long. I was sick of them before I’d heard them through the first time.
    The piano of “Sticks” is perky and cheerful, all but begging for a title sequence featuring 8mm footage of kids on the pond; the looped barnyard sounds of “Scores” are at least distinctive.
    The rest sound like generic “PLEASE STAND BY” music for an all-sports channel; they scream “don’t watch, it’s not the good part yet.” Their climaxes, when they finally arrive, are lost in the murky morass of their own overblown bluster.
    The machine gun/air horn ending of “Hockey Scores” at least sounds like something big’s about to happen. It’s a bad sign when something intended as a hoax and an insult comes off as less phony than most of the legitimate entries.

  • Robin Sharp

    Robert Burke’s anthem is the best. Hands down. Give it to an orchestra, polish the arrangement, and it’ll hit.

  • accozzaglia

    Indeed, EricSmith.

  • billoj

    OK, so how about this link, indicating that Gerry Mosby worked with Bob Rock on Alfie Zappacosta’s 1987 album “Over 60 Minutes With…
    Zappacosta”.
    Here’s the link:
    http://www.bluedesert.dk/zappacosta.html
    Oh, and Lou Pomanti also worked with Zappacosta, so his name is on that web page as well.
    Will the three of them be sharing the
    $ 100,000.00 prize?

  • accozzaglia

    Well, seeing how Alfie Zappacosta’s “Over 60 Minutes with . . .” is a compilation of his singles and select album tracks (others in the series: Strange Advance, Luba, Helix, Red Rider, Prism, etc.), then Mosby might have operated in executive producer capacity here.
    BTW, I really like Zappacosta. Is that so wrong? “Burnin’” has been on my iPod now for months. “I Think About You” gets some play time, too. :)
    But only Logan Aube captured the sonic essence of Don Cherry’s suits. No music veteran could muster that accomplishment.

  • bbpsi

    re: “Too long”
    This is normal. The music for your favourite nightly newscast is also quite a bit longer than what you hear; expect any of these to be cut way down for the main opening, the rest you can expect to be used as background music/closing credits/whatever.
    Just like how you only hear the chorus of the catchy-pop-song-of-the-day during car commercials.

  • EricSmith

    Robin Sharp: I think that an orchestra would kill the charm.

    bbpsi: You’re quite right. I’m not complaining that, for example, “Ice Warriors” basically starts over at 1:10. I am complaining that it’s an overblown mess by 0:20.

  • Gauldar

    You have to admit, “Hockey Scores” makes a great ringtone for your cell phone!

  • mrtunes

    hearing the entries that made it this far is a bit disappointing because they lack originality for music being written in 2008.
    if you listen to adam white’s entry, you can hear he has a reason to be annoyed about the lou pomanti thing – his entry is way better.
    when the contest was announced i was worried that this type of shenanigan was going to happen. have a contest, but make sure some high-profile composers are lined up to enter so they can win when all else fails.

  • Robin Sharp

    Eric Smith: As a piano melody, “Sticks to the Ice” sounds a bit too light for hockey. It needs a bass line to work.

  • JDurbs

    It’s a complete farce. How did they end up with the 5 most banal songs out of 15000? And then getting…OOOO…Bob Rock to overproduce them? It’s turd polishing at CBC in it’s finest hour.
    It kills me that none of them sound even remotely ANTHEMIC. You’re supposed to be able to remember the tune after you’ve heard it. It’s supposed to be rousing. None of these even comes close! EVERY single one of them sounds like the intro music for the 6 o’clock news.
    Try again, CBC.
    FAIL

  • pongamaxxx

    Ah…But you failed to include the FACT that the judging process was filled with people who were not qualified. For example, here is one that admitted to not being qualified. Her job as a children’s clown must have been good enough criteria for CBC. (Kristen McGregor):
    —————————————-
    “MONDAY, SEPTEMBER 15, 2008
    Judgement Day!
    I became a judge for the CBC Hockey Night in Canada Theme Song Contest because I got an e-mail saying “Do you want to be a judge?” and I thought…
    “Oh man, if I don’t do any other public service in my life, at least I will have helped choose the next Hockey Night in Canada Theme Song.”
    To qualify and show that I cared as a judge, I was asked to state why I would be a great hockey song chooser. I answered with the following…
    1. I have a high likelihood of becoming a hockey mom, and I’d like to sing something good when I serenade my kids in the minivan.
    2. I skate super infrequently due to my high centre of gravity, but when I do, I like to sing the Hockey Night in Canada song quietly under my breath as I make fearful laps around Nathan Phillips Square, and I’d like a good new song to nervously hum to.
    I was chosen!
    It came time to do the judging. You had to go and rate the potential of your 100 assigned songs, and you knew that each song was somebody’s baby, and you know that they tried and probably hoped that by some chance they could put together some shit and hope that it would fly-
    But it didn’t because I was on the job! Public Service McGregor can see through your shit! No joking around!
    A lot of them sounded like garage band or midi stuff, they were all immediately trashed. Some of them sounded like Headline News on CNN. Some of them sounded like they were a band in a garage in like, Ajax telling us just how good hockey is. I gave those a consistent 7 out of 10.
    Others were more interesting. Some were like “hey baby baby lets make it happen on the ice uhhh uhhh oh yeah.” Those songs made me want to grind a stranger during frosh week at Club Ménage, but then I realized that this was a hockey game theme song!
    If a hockey song makes me want to drop everything, and despite my high centre of gravity, want to go to the nearest Canadian Tire and trade it all in for a hockey stick and some skates- that’s a good song. That gets a 10.
    I turn on the next song and it unsuspectingly becomes my favourite. It’s the cheering, then it turns to fast-paced electronic beats and it’s this old man singing, “Laaaaa laaa laa laa laa la la la la” and it sounds like he’s in his living room. “Let’s play hockey now! Let’s play hockey now! It’s Hockey Night on the CBC! Let’s play hockey now!”
    Then he starts singing about the black puck and how it bounces down the ice and how we just have to play hockey now! It was just so lovely because you could hear the sincerity in his voice. It sounded as if Stomping Tom Connors had too much to drink and took off his pants and was standing in the living room and was just bearing himself for the neighbours singing about hockey.
    Then the electronic music happens, and aw man. It made me think that maybe Chris Sheppard and the rest of Love Inc. had stopped by to help after hearing his cries.
    Then the other one I gave a 10 was really great too. It had an intro, but it didn’t go on forever, and they had hockey sound effects and it was just great all around. It made me feel proud to be Canadian and want to watch hockey all at the same time.
    I voted a 10 for that one for my country, but the old man also got a 10 for making such an amazing anthem.
    It’ll be neat to see what they do pick. I’ll be floored if it was one of my 10′s. I hope other judges took this public service seriously too. No messing around!
    Oh, and if you hate the new song that is chosen, send me your phone number and I’ll pretend to be the old man on your answering machine and sing “Let’s Play Hockey Now!”. Then you can just play it everytime there’s a hockey game.
    ————————————–
    She admits that if they sounded like they were recorded in a garage, or had MIDI tracks, they were instantly thrown out. WTF?!?!?! That sucks big time! Everyone knew that these would be re-recorded in a proper studio, with proper talent. It was all about the SONG being entered…NOT the production.
    What an absolute joke that this was the calliber of judges that CBC used.

  • pongamaxxx

    One more point of interest. The article here, quoted CBC officials as saying: “…….with regard to the potential conflicts of interest, in the event judges had personal or professional contacts with contestants, they were disclosed and appropriately noted through the selection process.”
    That is a blatant violation of their own rules. The rules clearly stated that associates, or colleagues were deemed ineligible.
    It’s only a matter of time before this hits mainstream media.
    Hmmm…Maybe Moses Znaimer would like to know about this scam.