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Film Friday: I Shall Walk Looking Up

http://www.youtube.com/watch?v=67rKVbgFjPk
Urgh, with only a week since TIFF ended, who wants to talk about film again now? Paradoxically, we wanted to talk about TIFF again yesterday, but we’re fickle like that—perhaps now it’s just the realisation that most of our Film Fridays are only going to talk about films that played at this year’s TIFF. Instead we’ll lead with something from last year’s TIFF and probably one of the most welcome releases we can think of in recent memory—Sukiyaki Western Django.
Its release is good for a variety of reasons. First, it’s the first release of a Japanese movie here (outside of Cinematheque) that we can remember—Asian films are so rarely released here—and second, it’s playing at the AMC, which means their claims of playing more independent and foreign features than the usual multiplex may actually be true! We liked Sukiyaki Western Django a lot when we saw it originally at TIFF 2007, calling it a “joyful piece of work that was possibly the most fun we had at the festival.” Apparently roughly half an hour of the film has been chopped out for this release, which considering it’s by Takashii Miike, could possibly turn the largely nonsensical plot into something completely incomprehensible. We often wonder if there’s an entire act missing from Gozu, or something.
It’s not the only Western that played TIFF being released this week—Ed Harris’s Appaloosa was very well received this year, and positive reviews include the one by the Sun‘s Kevin Williamson, who claims the film “may not re-invent the genre, but it’s the most convincing argument [he's] seen in years.”
Also from this year’s TIFF, Ricky Gervais vehicle Ghost Town and Keira Knightley vehicle The Duchess.
Films out this week which weren’t in TIFF: Neil LaBute’s Lakeview Terrace (LaBute was, astonishingly, interviewed by Eye‘s Jason Anderson without being bombarded with questions about his offensively ludicrous remake of The Wicker Man… how did that happen?); I Served The King of England, and CG animation Igor. The Bloor is also showing some screenings of Ingmar Bergman’s Monika, but most of all we can’t forget to mention the release of My Best Friend’s Girl, which manages to beat Ghost Town this week in the “heavily features stars that we’d like to beat to death with a rusty hammer” stakes by starring not only Kate Hudson, but Dane Cook as well! Better luck next time, Kristen Wiig.

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  • Gauldar

    Sukiyaki Western Django was pretty cool. An over-abundance of clichés in the script spoken by Japanese actors speaking English, and Quintin Terintino being hardest to understand through the whole movie. It was like Grindhouse, but with a deep atmosphere and character definition. My favorite was the white guy carring the umbrella following around the old guy who had the stroke acting as his voice. If you look up that guy on IMDB he actualy has a background in English translation while living in Japan.

  • ked

    Maybe because Jason Anderson and Nicholas Cage are the same person?

  • jen_in_toronto

    I love Kristen Wiig! And Ricky Gervais. And Greg Kinnear’s kinda charming. But the movie looks lame.

  • Jonathan Goldsbie

    Yeah, Ghost Town is merely okay, but it’s so earnest that to actively dislike it would seem mean.

  • antiboy

    Tarantino absolutely ruined Sukiyaki. I know that may be a cliched opinion but his accent was just hideous and not funny and his role was absolutely stupid too. I won’t even get into him sticking his fingers into Asian movies just to get them Western exposure. Ugh.